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NYRB Classics Original
Winner of the Nobel Prize in Literature
In the Caf� of Lost Youth is vintage Patrick Modiano, an absorbing evocation of a particular Paris of the 1950s, shadowy and shady, a secret world of writers, criminals,�drinkers, and drifters. The novel, inspired in part by the circle (depicted in the photographs of Ed van der Elsken) of the notorious and charismatic Guy Debord, centers on the enigmatic, waiflike figure of Louki, who catches everyone’s attention even as she eludes possession or comprehension. Through the eyes of four very different narrators, including Louki herself, we contemplate her character and her fate, while Modiano explores the themes of identity, memory, time, and forgetting that are at the heart of his spellbinding and deeply moving art.
- Sales Rank: #224040 in eBooks
- Published on: 2016-03-08
- Released on: 2016-03-08
- Format: Kindle eBook
Review
“[M]odiano at his height. In 1950s Paris, a young woman nicknamed Louki haunts a caf� called the Cond�, casting a decided allure yet remaining mysterious and unknowable. A young hanger-on, the husband she abandoned, the detective searching for her—all try to grasp her and fail. Not unexpectedly, Modiano withholds her secret life to the end.” —Library Journal, starred review
“In the Caf� of Lost Youth is a kind of suspense story. It is a story about the many facets of a single woman but also, unquestionably, a story about the multiple worlds within Paris, a city that, as much as any individual human being, remains essentially unknowable. It casts a near hypnotic spell.”�—Douglas Kennedy, L’Express
“Every area described is also imbued with layers of emotion. . . . Readers are left haunted by the cityscape Modiano paints.”�—Henri Astier, The Times Literary Supplement�
“Modiano’s books develop a different tone, one more mellow and melancholic, somewhere between sepia and film noir, more akin to the photographs of Henri Cartier-Bresson than to the work of other writers.”�—Rachel Donadio, The New York Times
“[An] edge of mystery, of indirection, motivates [Modiano’s work] like an animating force...a vivid air of the conditional, which is, of course, the whole idea. For Modiano, memory, experience are fluid, fleeting, and even the stories we tell ourselves are subject to change. Our lives flicker past us like the afterimage of a photo; eventually, our attempts at constancy must fall away.”—David Ulin, Los Angeles Times
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“Modiano is a pure original. He has transformed the novel into a laboratory for producing atmospheres, not situations—where everything must be inferred and nothing can be proved.”—Adam Thirwell, The Guardian
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“Like W.G. Sebald, another European writer haunted by memory and by the history that took place just before he was born, Modiano combines a detective’s curiosity with an elegist’s melancholy.”—Adam Kirsch, The New Republic
“The genius of Modiano's work lies in how it straddles the very real moral chaos of post-Vichy France and his creation of an idiosyncratic milieu. Patrick Modiano goes beyond the checklist accuracies of historical fiction, fashioning a lush fever dream filled with glamor, mystery, and despair.” —Karl Wolff, New York Journal of Books
“[C]arefully, artfully constructed...[an] impressive, accomplished work.” —M.A. Orthofer,�Complete Review
About the Author
Patrick Modiano was born in the Boulogne-Billancourt suburb of Paris near the end of the Nazi occupation of France. He studied at the Lyc�e Henri-IV and the Sorbonne. As a teenager he took geometry lessons with the writer Raymond Queneau, who would play a key role in his development. He has written more than thirty works of fiction, including novels, children’s books, and the screenplay for Louis Malle’s film Lacombe, Lucien. In 2014, Modiano won the Nobel Prize in Literature.
Chris Clarke was born and raised in British Columbia, Canada, and lives and works in and around New York City. His published translations include work by Oulipo members Raymond Queneau and Olivier Salon. He currently teaches French and is translating a novel by Pierre Mac Orlan, which will be published in 2016.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Rich and Complex
By Spencer Reppe
This is the 14th book by Modiano that I've read, and I'll have to rate it as one of my favorites. As with many of his books it is about identity, memory, time, forgetting and escaping—and of course, Paris. I find it necessary to have my well worn Borsch laminated map of Paris on hand whenever I read Modiano. And now I will also recommend that Modiano fans also read his memoir, Pedigree, in order to fully comprehend where he is coming from, as much of what he writes is autobiographical, this book being no exception.
This novella is written in four chapters, each from the first person point of view of four different characters, all of whom have a connection to a 22 year old young woman known as Louki, a name given to her in a baptism or second birth by someone known as Tarzan, or was it Zacharias? The large cast of characters can be confusing. There is a cast of about two dozen of mixed nationalities and backgrounds, most of whom frequent the Caf� Cond�. They have interesting nicknames such as "the Jaguar", "the Captain", "Crossbones", and of course Louki. She is also known as Jacqueline Choureau nee Delanque, formerly of Montmartre 9th and 18th arrondissements, and currently of Montparnasse 6th and 14th arrondissements. She is reading Lost Horizon, which figures prominently in the action. Modiano uses the Caf� Cond� as a fixed point around which much of the action takes place.
The story starts with the narration of a young engineering student who is trying to fit in with the artsy crowd at Cond�. The action opens with a description of a roster of the Cond� habitu�s that is kept by fellow habitu� Bowing, the Captain. It catches the attention of a Mr. Pierre Caisley, who says he is an "art publisher". He seems to be interested in Louki, and anyone she hangs out with.
We find out in the second chapter that Mr. Caisley is not who he says he is, and the story starts to cascade and tumble from there. Action moves to multiple locations around Paris as Louki is looking for "neutral zones" that are places of safety, always trying to avoid the "black holes", or places of danger.
The third chapter is narrated by Louki, and she paints a very different picture of the events that we have witnessed so far. We learn about drugs and the role they play in the plot. In chapter 4, Roland, the aspiring writer steps forward. To me he is the personification of Modiano himself at age twenty. He identifies with Louki and her attempts to flee and hide, for he has had many of the same experiences. All four of the narrators come together in the final pages for a dramatic ending that I truly did not see coming.
It is a short book, but very rich and complex. I had to read it twice in order to catch all the details and nuance. Modiano is able to pack a lot into a very small package. I would rate this book at the same level as Missing Person (1978), Honeymoon (1990),and Dora Bruder (1997). The four books give the reader a span of work spreading more than 35 years and is a good starting point for anyone interested in Modiano.
1 of 1 people found the following review helpful.
great writer
By martin
great writer
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
A great book. A must read
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